Jane Austens early nineteenth century new(a), Emma spawned two well-known films from the mid-nineties. These ar of course Emma, directed by Douglas McGrath and Clueless, written and directed by Amy Heckerling. While Emma is a direct adaptation of the newfangled, Clueless was retri exclusivelyive now inspired by its themes and messages. Furthermore, Emma aspires to successfully present the novel in celluloid and entertain a female, adult interview whilst introducing Jane Austen to a new generation. Conversely, Clueless aims to transport the themes and morals presented inside the novel into a modern context that is relatable to the youth of today. patronage these differing objectives the films atomic number 18 confusable in hurt of storyline, theme and characterisation Superficially, Emma and Clueless be tales of love told from the vista of the match-maker, however beneath this veneer take a schnorkel stories about young women learning humility in the track down of their own willful ignorance. In some(prenominal) stories the heroine misjudges not just Mr/Eltons affections, but also the extent of a second worthy mans affections for them. Cher and Emma unconstipated misjudge their own feelings towards a brother contour: Mr chivalric in Emma, and Josh in Clueless.

As a forget of their mistakes, both undergo a spiritual makeover and rethink their opinions of themselves and the things into which they station their while and energy. A more blatant connection in the diagram occurs when Emma paints a movie of Harriet for Mr Elton to hang up in his house. The identical to this in Clueless would be when Cher takes a! picture of Thai for Elton to pin up in his locker. In both films the portraying is hung up not because of the subject but because of who created the image. Indeed, the films office similar storylines, yet they are set in immensely polar environments. Emma is... If you want to get a full essay, pasture it on our website:
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