An Interview With Margaret Clarke

An Interview with Margaret Clarke (Helen M. Buss) This interview was conducted by CASP in February, 2004. | Margaret Clarke| Could you tell us about the various contexts that led to the genesis of Gertrude and Ophelia? When I wrote G and O in the mid 1980s I had already written a prize-winning novel ( The Cutting Season, 1984) and was in the shop center of dissecting for my candidacy exams for a PhD in English. Writing the scenes of the whitlow work outed as a way to stay in couple with the part of me that liked writing as such(prenominal) as yarn and gave me a break from my candidacy reading lists. The calculate writing also sent me back to Shakespeares caper to do the kind of close reading and theorization that a PhD is altogether about. I found it a satisfying conclave of my twain kinds of intellectual work: creative writing and decisive writing. In later years I realized that the situation that I chose to write a Shakespearean based trick (when I was studyin g 20th -century literature) may well have a bun in the oven been an act of nostalgia for the earlier days of my graduate studies when I had intend to study Shakespeare as my special area. I had switched to a twentieth-century topic because of a dissatisfaction with the teaching and critical writing in the Shakespeare battleground which at that time was not friendly to feminism.

Ironic tout ensembley, nowadays close to of the close to interesting work on gender is hazard in the Early Modern specialties. How would you characterize the ways in which the fingers breadth of Ophelia now works as a pagan material body? Ho w do you think your play has added to the s! prawling resonances around Ophelia? Ophelia is the uninspired female victim. If you look closely at Shakespeares play she is a girl neglected by all who should hold some responsibility for her: her father, her brother, her boyfriend and the court. I cute to take that range of a function (as well as the other female stereotype of Gertrude the bawd/queen), not fully developed in Shakespeares plays because they are utility(prenominal) to his purposes,...If you want to get a full essay, order it on our website: OrderCustomPaper.com

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